Steven Spielberg

Spielberg was born on December 18, 1946, in Cincinnati, Ohio. His mother, Leah (née Posner, later Adler), was a concert pianist and ran a kosher dairy restaurant, and his father, Arnold, was an electrical engineer involved in the development of computers. His immediate family were Reform Jewish/Orthodox Jewish. Spielberg's paternal grandparents were Jews from Ukraine; his grandmother Rebecca, maiden name Chechik, was from Sudylkiv, and his grandfather Shmuel Spielberg was from Kamianets-Podilskyi. Spielberg has three younger sisters: Anne, Sue, and Nancy. In 1952, his family moved to Haddon Township, New Jersey after his father was hired by RCA. Spielberg attended Hebrew school from 1953 to 1957, in classes taught by Rabbi Albert L. Lewis. At their home in Cincinnati, his grandmother taught English to Holocaust survivors. They, in turn, taught him numbers: One man in particular, I kept looking at his numbers–his number tattooed on his forearm... he started – you know, when–during the dinner break, when everybody was eating and not learning, he would point to the numbers. And he would say, that is a two, and that is a four. And then he'd say, and this is a eight, and that's a one. And I'll never forget this. And he said, and that's a nine. And then he crooked his arm and inverted his arm and said, and see, it becomes a six. It's magic. And now it's a nine, and now it's a six, and now it's a nine and now it's a six. And that's really how I learned my numbers for the first time... the irony of all that, and the gift of that lesson, never really dawned on me until I was much older.

In early 1957, the family moved to Phoenix, Arizona. Spielberg had a bar mitzvah ceremony when he was thirteen. His family was involved in the synagogue and had many Jewish friends. Of the Holocaust, he said that his parents "talked about it all the time, and so it was always on my mind." His father had lost between sixteen and twenty relatives in the Holocaust. Spielberg found it difficult accepting his heritage; he said: "It isn't something I enjoy admitting... but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg was the target of anti-Semitism: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible." He gradually followed Judaism less during adolescence, after his family had moved to various neighborhoods and found themselves to be the only Jews.

He recalls his parents taking him to see Cecil B. DeMille's The Greatest Show on Earth (1952). He had never seen a movie before, and thought they were taking him to the circus. He was terrified by the movie's train crash, and at age 12, he recreated it with his Lionel trains and filmed it. He recalls: "The trains went around and around, and after a while that got boring, and I had this eight-millimeter camera, and I staged a train wreck and filmed it. That was hard on the trains, but then I could cut the film lots of different ways and look at it over and over again." This was his first home movie. In 1958, he became a Boy Scout, eventually attaining the rank of Eagle Scout. He fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm Western, The Last Gunfight. Spielberg used his father's movie camera to make amateur features, and began taking the camera along on every Scout trip. At age 13, Spielberg made a 40-minute war film, Escape to Nowhere, with a cast of classmates. The film won first prize in a statewide competition. Throughout his early teens, and after entering high school, Spielberg made about fifteen to twenty 8 mm adventure films. He recalls that my dad told me stories about World War II constantly... I knew, based on the stories my dad and his friends were telling about World War II, that there was no glory in war. And it was ugly, and it was cruel... it was, you know, visually devastating. And so I thought, someday, if I ever do make a war movie for real, it's got to be something that tells the truth about what those experiences had been for those young 17-, 18-, 19-year-old boys storming Omaha Beach, let's say.

In Phoenix, Spielberg went to the local theater every Saturday. Formative films included Victor Fleming's Captains Courageous (1937), Disney's Pinocchio and Fantasia (both 1940), Akira Kurosawa's Rashomon (1950) and The Seven Samurai (1954), Ishirō Honda's Godzilla, King of the Monsters! (1956), David Lean's Bridge on the River Kwai (1957) and Lawrence of Arabia (1962) ("the film that set me on my journey"), Alfred Hitchcock's The Birds (1963) and Stanley Kubrick's Dr. Strangelove (1964) and 2001: A Space Odyssey (1968) ("I'm still living off the adrenalin that... I experienced watching that film for the first time.") He attended Arcadia High School in 1961 for three years. In 1963, he wrote and directed a 140-minute science fiction film, Firelight, the basis of Close Encounters of the Third Kind. Firelight, funded mainly by his father, was shown in a local theater for one evening and grossed $501 against its $500 budget.

After taking a tour bus to Universal Studios, a chance conversation with an executive led to Spielberg getting a three-day pass to the premises. On the fourth day, he walked up to the studio gates without a pass, and the security guard waved him in: "I basically spent the next two months at Universal Studios... that was how I became an unofficial apprentice that summer." His family later moved to Saratoga, California, where he attended Saratoga High School. A year later, his parents divorced. Spielberg moved to Los Angeles to stay with his father, while his three sisters and mother remained in Saratoga. He recalls: My parents split up when I was 15 or 16 years old, and I needed a special friend, and had to use my imagination to take me to places that felt good – that helped me move beyond the problems my parents were having, and that ended our family as a whole. And thinking about that time, I thought, an extraterrestrial character would be the perfect springboard to purge the pain of your parents' splitting up. He recalls his mother had "a huge adventurous personality. We always saw her as Peter Pan, the kid who never wanted to grow up, and she sort of saw herself that way. I think my mom lived a lot of childhoods in her ninety-seven years." He was not interested in academics, aspiring only to be a filmmaker. He applied to the University of Southern California's film school but was turned down because of his mediocre grades. He then applied and enrolled at California State University, Long Beach, where he became a brother of Theta Chi Fraternity. In 1968, Universal gave Spielberg the opportunity to write and direct a short film for theatrical release, the 26-minute 35 mm Amblin'. Studio vice president Sidney Sheinberg was impressed and offered Spielberg a seven-year directing contract. A year later, he dropped out of college to begin directing television productions for Universal, making him the youngest director to be signed to a long-term plan with a major Hollywood studio. Spielberg returned to Long Beach in 2002, where he presented Schindler's List to complete his Bachelor of Arts in Film and Electronic Media.

He recalls a formative encounter with one of his favorite directors, John Ford, who said: "So they tell me you want to be a picture maker. You see those paintings around the office?" Spielberg said he did. Ford pointed to a painting and asked, "Where's the horizon?" Spielberg said it was at the top. Ford asked him where it was in another painting. Spielberg said it was at the bottom. Ford said, "When you're able to distinguish the art of the horizon at the bottom of a frame or at the top of the frame, but not going right through the center of the frame, when you can appreciate why it's at the top and why it's at the bottom, you might make a pretty good picture maker."