Paul Mazursky

He was born into a Jewish family in Brooklyn, New York, the son of Jean (née Gerson), a piano player for dance classes, and David Mazursky, a laborer. Mazursky's grandfather was an immigrant from Ukraine. Mazursky graduated from Brooklyn College in 1951. Mazursky began his film career as an actor in Stanley Kubrick's first feature, Fear and Desire (1953). Mazurksy, who never liked his first name of Irwin, was asked by his then-girlfriend Betty Purdy what name he wanted to use in the credits for the film, as he had told Kubrick to use her as a go-between when he was busy waiting tables at Sunrise Manor. When on the phone with her, she suggested using Paul for his screen name, which he agreed with. Two years later he appeared in a featured position as one of a classroom of teenagers with issues towards authority in The Blackboard Jungle (1955). His acting career continued for several decades, starting with parts in episodes of television series such as The Twilight Zone and The Rifleman. He also did shows for nightclubs in the late 1950s, most notably with Herb Hartig, with their comedy act being named "Igor and H" before breaking up to do a solo act. He applied to (and was rejected by) the Actors Studio, but he took classes with Lee Strasberg as instructor, having previously studied under Paul Mann and Curt Conway. Soon after starting his acting career, Mazursky became a writer and worked on The Danny Kaye Show in 1963 with Larry Tucker, who he had first known when Tucker went from personal manager of comedy clients to being a part of the Los Angeles operation of The Second City troupe. In 1965, they crafted the script of the original pilot of The Monkees television series, in which they both also appeared in cameos, although the pilot ended up being their only script for the series. Mazursky's debut as a film screenwriter was the Peter Sellers comedy I Love You, Alice B. Toklas (1968). The original intent was for Tucker to produce and for Mazursky to direct. Peter Sellers, the star of the feature, instead picked Hy Averback to direct the film. The following year, he directed his first film Bob & Carol & Ted & Alice (1969) produced and written by Mazursky and Larry Tucker), which proved to be a major critical and commercial success. The film was the fifth highest grossing of the year and earned Mazursky his first Oscar nomination. His career behind the camera continued for the next two decades as he wrote and directed a prolific string of quirky, dramatic and critically popular films. His most successful films were contemporary dramatic comedies and include the Academy Award-winning Harry and Tonto (1974), the Best Picture-nominated An Unmarried Woman (1978), and popular hits such as Moscow on the Hudson (1984) and Down and Out in Beverly Hills (1986). In light of his comedies that tackled a number of modern social subjects, The Hollywood Reporter stated that "from the late '60s through the '80s, [he] seemed to channel the zeitgeist..." and Variety stated that "his oeuvre smacks of cultural significance." Other films made by Mazursky during this time include the Hollywood satire Alex in Wonderland (1970), the cutting Los Angeles relationship comedy Blume in Love (1973), and the semi-autobiographical coming-of-age story Next Stop, Greenwich Village (1976). Mazursky also played supporting roles in The Other Side of the Wind (1972; finished 2015), A Star Is Born (1976). He also directed during the 1980s the New York City-based Jules and Jim homage Willie & Phil (1980), the contemporary Shakespeare comedy Tempest (1982), the Caribbean-set political farce Moon over Parador (1988), and the acclaimed Isaac Bashevis Singer adaptation Enemies, a Love Story (1989). Late in his life, Mazursky was developing a Broadway musical adaptation of his 1988 film Moon over Parador. He had supporting roles in History of the World Part I (1981), Into the Night (1985), Punchline (1988) and Scenes from the Class Struggle in Beverly Hills (1989). Mazursky appeared in supporting roles or cameos in most of his own films. In Moon over Parador (1988), with the Rio Opera House available for only three days of shooting, Mazursky cast himself as a dictator's mother when Judith Malina was unavailable, playing the character in drag. He also acted in 1990s in projects such as Man Trouble (1992), Carlito's Way (1993), Love Affair (1994), 2 Days in the Valley (1996), Miami Rhapsody (1995), Crazy in Alabama (1999), and I Want Someone to Eat Cheese With (2006). He also performed the voice of the Psychologist in Antz (1998). He then experienced less success in the 1990s. He directed Scenes from a Mall (1991), starring Woody Allen and Bette Midler. Following his filmmaking satire The Pickle (1993), which was his last writing credit, Mazursky worked only sporadically as a director on such films as Faithful (1996), Winchell (1998), and Coast to Coast (2003). His final film was the independent documentary Yippee (2006). In later years, Mazursky had a small part as "Sunshine" the poker dealer in The Sopranos. He also appeared in five episodes of season 4 of Curb Your Enthusiasm as Mel Brooks' associate Norm, a role that he later reprised in a season 7 episode. In his autobiography Show Me the Magic (1999), Mazursky recounts his experiences in filmmaking and with several well-known screen personalities including Peter Sellers. He was the subject of the 2011 book Paul on Mazursky by Sam Wasson. Mazursky appeared as himself in a number of documentaries on film, including A Decade Under the Influence, New York at the Movies, and Screenwriters: Words Into Image. From 2011 until his death in 2014, Mazursky served as a film critic for Vanity Fair.