Melvyn Douglas

Douglas was born in Macon, Georgia, the son of Lena Priscilla (née Shackelford) and Edouard Gregory Hesselberg, a concert pianist and composer. His father was a Jewish emigrant from Riga, Latvia, then part of the Russian Empire. His mother, a native of Tennessee, was Protestant and a Mayflower descendant.

Douglas, in his autobiography, See You at the Movies (1987), wrote that he was unaware of his Jewish background until later in his youth: "I did not learn about the non-Christian part of my heritage until my early teens." His parents preferred to hide his Jewish heritage. His aunts, on his father's side, told him "the truth" when he was 14. He wrote that he "admired them unstintingly"; they in turn, treated him like a son.

Though his father, a prominent concert pianist, taught music at a succession of colleges in the U.S. and Canada, Douglas never graduated from high school. He took the surname of his maternal grandmother and became known as Melvyn Douglas. Douglas developed his acting skills in Shakespearean repertory while in his teens and with stock companies in Sioux City, Iowa, Evansville, Indiana, Madison, Wisconsin and Detroit, Michigan. He served in the United States Army in World War I. He established an outdoor theatre in Chicago. He had a long theatre, film and television career as a lead player, stretching from his 1930 Broadway role in Tonight or Never (opposite his future wife, Helen Gahagan) until just before his death. Douglas shared top billing with Boris Karloff and Charles Laughton in James Whale's sardonic horror classic The Old Dark House in 1932.

He was the hero in the 1932 horror film The Vampire Bat and the sophisticated leading man in 1935's She Married Her Boss. He played opposite Joan Crawford in several films, most notably A Woman's Face (1941), and appeared opposite Greta Garbo in three films: As You Desire Me (1932), Ninotchka (1939) and Garbo's final film Two-Faced Woman (1941). One of his most sympathetic roles was as the belatedly attentive father in Captains Courageous (1937).

During World War II, Douglas served first as a director of the Arts Council in the Office of Civilian Defense, and he then again served in the United States Army rising to the rank of major in the Special Services Entertainment Production Unit. According to his granddaughter Illeana Douglas, it was in Burma when he first met his future Being There co-star Peter Sellers, who was in the Royal Air Force during the war. He returned to play more mature roles in The Sea of Grass and Mr. Blandings Builds His Dream House. In 1959 he made his musical debut playing Captain Boyle in the ill-fated Marc Blitzstein musical Juno, based on Seán O'Casey's Juno and the Paycock.

From November 1952 to January 1953, Douglas starred in the DuMont detective show Steve Randall (Hollywood Off Beat) which then moved to CBS. In the summer of 1953, he briefly hosted the DuMont game show Blind Date. In the summer of 1959, Douglas hosted eleven original episodes of a CBS Western anthology television series called Frontier Justice, a production of Dick Powell's Four Star Television.

As he aged, Douglas took on older-man and fatherly roles, in such movies as Hud (1963), for which he won his first Academy Award for Best Supporting Actor, The Americanization of Emily (1964), an episode of The Fugitive (1966), I Never Sang for My Father (1970), for which he was nominated for the Academy Award for Best Actor, and The Candidate (1972). He won his second Academy Award for Best Supporting Actor for the comedy-drama Being There (1979). However, Douglas confirmed in one of his final interviews that he refused to attend the 52nd Academy Awards because he could not bear competing against child actor Justin Henry for Kramer vs. Kramer.

In addition to his Academy Awards, Douglas won a Tony Award for his Broadway lead role in the 1960 The Best Man by Gore Vidal, and an Emmy for his 1967 role in Do Not Go Gentle Into That Good Night.

Douglas' final completed screen appearance was in Ghost Story (1981). He did not finish shooting all of his scenes for the film The Hot Touch (1982) before his death; the film had to be edited to compensate for Douglas' incomplete role.

Douglas has two stars on the Hollywood Walk of Fame, one for movies at 6423 Hollywood Boulevard and one for television at 6601 Hollywood Boulevard.