Franco Nero

Franco Nero

Known For: Italian actor (born 1941)

Category: Actors

Occupation: screenwriter, film actor, actor, film director, film producer, musician, model

Country: Italy

City: San Prospero Parmense

Date of Birth: Sunday, 23 November 1941

Also known as Franco Nero

Francesco Clemente Giuseppe Sparanero, known professionally as Franco Nero, is an Italian actor, producer, and director. His breakthrough role was as the title character in the Spaghetti Western film Django (1966), which made him a pop culture icon and launched an international career that includes over 200 leading and supporting roles in a wide variety of films and television productions.

BirthPlaceSan Prospero Parmense
AwardsQ25405526, Q14539729
SpousesVanessa Redgrave
ChildrenCarlo Gabriel Nero, Franquito Sparanero
WikipediaFranco_Nero

Francesco Clemente Giuseppe Sparanero was born in San Prospero Parmense (Parma, Emilia-Romagna), the son of a commissioned officer in the Carabinieri. His parents were originally from San Severo (Foggia, Apulia). He grew up in Bedonia and in Milan. He studied briefly at the Economy and Trade faculty of the local university, before leaving to study at the Piccolo Teatro di Milano. Nero's first film role was a small part in Pelle viva (1962), and he had his first lead role in Sergio Corbucci's Django (1966) a Spaghetti Western and one of his best-known films. In 1966 from Django he went on to appear in eight more films released that year including Texas, Adios (1966) and Massacre Time. In 1967, he appeared in Camelot as Lancelot, where Nero met his longtime romantic partner, and later his wife, Vanessa Redgrave. Following this he appeared in the mafia film Il giorno della civetta opposite Claudia Cardinale released in 1968. A lack of proficiency in English tended to limit these roles, although Nero also appeared in other English-language films including The Virgin and the Gypsy (1970), Force 10 from Navarone (1978), Enter the Ninja (1981) and Die Hard 2 (1990). Although often typecast in films like Los amigos (1973) or Keoma (1976) he has attempted an impressive range of characters, such as Abel in John Huston's epic The Bible: In The Beginning (1966), the humiliated engineer out for revenge in Street Law, the gay lieutenant in Querelle (1982), and Serbian mediaeval hero in The Falcon (1983). Nero has appeared in over 150 films, and has written, produced and starred in one: Jonathan degli orsi (1993). More recently, Nero starred in Hungarian director Koltay Gábor's Honfoglalás (Conquest) in 1996, in Li chiamarono... briganti! (1999) by Pasquale Squitieri and subsequently in Koltay's Sacra Corona (Holy Crown) in 2001. In 2009 Nero played an eccentric author called "Mario Puzzo" in Mord ist mein Geschäft, Liebling ("Murder is my trade, darling", Italian title "Tesoro, sono un killer"). German critics found his performance was the best part of the film: "Having Franco Nero playing in this film is really a great joy – it is only regrettable that after his appearances there is still so much film left." In 2010, Nero appeared in the film Letters to Juliet with Redgrave. In 2011 he appeared as a guest star on the season 13 premiere episode of Law and Order: SVU. His character, although Italian, was based on Dominique Strauss-Kahn. In the same year, he received a star on the Italian Walk of Fame in Toronto, Ontario, Canada. In 2012, Nero made a cameo appearance in the film Django Unchained in one scene alongside Jamie Foxx, who stars as Django Freeman in the film. Nero, playing the original Django, questions Foxx's Django about how his name is spelled, and asks him to spell it, referencing a scene from Nero's role as Django in the original Django film. Upon learning that their names are spelled the same way, Nero's Django says "I know" to Foxx's Django. In 2016 and 2017 he interpreted Gabriele Tinti's poetry, giving voice to the masterpieces in the National Roman Museum. Nero appears in the dark comedy feature film The Immortalist in 2020, along with Sherilyn Fenn, Paul Rodriguez, Aries Spears and Jeff DuJardin, directed by Vlad Kozlov.

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