Known For: Indian actress (born 1942)
Category: Actresses
Country: India
Date of Birth: Friday, 02 October 1942
Language Hindi
Asha Parekh is an Indian actress, film director, and producer who worked in Hindi films. Regarded as one of Hindi cinema's finest actresses, Parekh has worked in more than 85 films, in a career spanning over four decades. Parekh has received several accolades including two Filmfare Awards. In 1992, she was honoured with the Padma Shri by the Government of India for her contribution to the field of cinema and was honoured with Dadasaheb Phalke Award in 2020.
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Asha Parekh is a Gujarati born on 2 October 1942. Her mother, Sudha aka Salma Parekh, was a Bohri Muslim and her father, Bachubhai Parekh, was Hindu Gujarati. Her mother enrolled her in Indian classical dance classes at an early age and she learned from many teachers, including Pandit Bansilal Bharati.Parekh started her career as a child artist under the screen name Baby Asha Parekh. Famous film director Bimal Roy saw her dance at a stage function and cast her at the age of ten in Maa (1952) and then repeated her in Baap Beti (1954). The latter film's failure disappointed her, and even though she did a few more child roles, she quit to resume her schooling. When she was 16, she decided to try acting again, and to make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favour of actress Ameeta, because the filmmaker claimed she was not star material. Precisely 8 days later, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959), opposite Shammi Kapoor, which made her a huge star. It also started a long association with Hussain who cast her as his heroine in six more films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo in his 1984 film Manzil Manzil. Hussain also got her involved in distribution of 21 films, starting with Baharon Ke Sapne (1967). Parekh was primarily known as a glamour girl/dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favourite films; Do Badan (1966), Chirag (1969), which earned her a nomination for the Filmfare Award for Best Actress, and Main Tulsi Tere Aangan Ki (1978), which earned her a nomination for the Filmfare Award for Best Supporting Actress. Director Shakti Samanta gave her more dramatic roles in her other favourite films, Pagla Kahin Ka (1970) and Kati Patang (1970); the lattermost earned her the Filmfare Award for Best Actress. She also featured in a supporting role in Udhar Ka Sindur (1976) which earned her a second nomination for the Filmfare Award for Best Supporting Actress. Many important directors repeatedly cast her in several of their films, including Vijay Anand and Mohan Segal. Parekh acted in her mother tongue by starring in three Gujarati films at the height of her fame in Hindi films, the first being Akhand Saubhagyavati (1963), which became a huge hit. She also acted in some Punjabi films, such as Kankan De Ohle (1971) opposite Dharmendra and Lambhardarni (1976) with Dara Singh, as well as the hit Kannada film Sharavegada Saradara (1989). As a leading heroine, she formed popular onscreen pairings with actors including Dev Anand, Shammi Kapoor and Rajesh Khanna. After her days as a leading lady ended, Parekh took on supporting roles as bhabhi (sister-in-law) and mother. A notable film she did in which she played such a part is Kaalia (1981), which is the only film in which she shared screen space with Amitabh Bachchan. But she called these roles the "awkward phase" of her career. So she stopped acting in films, and her friends recommended that she become a television director. She took their advice and became a television director in the early 1990s with the Gujarati serial Jyoti. She formed a production company, Akruti, and produced serials like Palash ke Phool, Baaje Payal, Kora Kagaz and a comedy, Dal Mein Kaala. She was the president of the Cine Artistes' Association from 1994 to 2000. Parekh was the first female chairperson of the Central Board of Film Certification (Censor Board) of India. She held the post from 1998 to 2001 for which she received no salary, but plenty of controversy for censoring films and for not giving clearance to Shekhar Kapur's Elizabeth. Later, she became the treasurer of the Cine and Television Artists Association (CINTAA) and was later elected as one of its office-bearers. In 2008, she was a judge on the reality show Tyohaar Dhamaaka on the Indian entertainment channel 9X. In 2017, her autobiography (co-written by Khalid Mohamed) titled The Hit Girl was released.