Anjan Dutt

Anjan Dutt

Known For: Indian filmmaker and musician (born 1953)

Category: Actors

Country: India

Language Bangla

Anjan Dutt is an Indian film director, actor, and singer-songwriter known for his work in the Bengali alternative music genre anyodharar gaan. As an actor, Dutta began his career in Bengali cinema in the Mrinal Sen film Chaalchitra, for which he won the best newcomer actor award at the Venice Film Festival. He acted in Aparna Sen's hit film, Mr. and Mrs. Iyer. In 2018 he featured in Swapnasandhani's new play Taraye Taraye, as Vincent van Gogh, under the direction of Kaushik Sen.

BirthPlaceKolkata
EducationSt. Paul's School, Darjeeling
WikipediaAnjan_Dutt

Anjan Dutta was raised in the mountains of North Bengal. He had his schooling from St. Paul's School in Darjeeling. In the late seventies, he joined a group called Open Theatre and in the early eighties performed plays translated from the works of renowned foreign playwrights like Sartre, Peter Weiss, Jean Genet and Bertold Brecht. The group clearly drew inspiration from Nandikar, a highly active and already famous theatre group at the time. Due to politically sensitive content, they faced many obstructions in producing and performing their work, and eventually, the group discontinued its repertoire. Dutta was first selected for the feature film Chalachitro, directed by renowned filmmaker Mrinal Sen. The film and his performance were critically acclaimed at the Venice Film Festival, but for unknown reasons, was never released commercially. Dutt said that he was more interested in doing art cinema than commercial mainstream cinema. After doing a few art films that were not so commercially successful, including the critically well-received Juganto, scarcity of job opportunities forced him to take up jobs in advertising and later as a journalist for the Kolkata-based daily, The Statesman. At that time, Dutta was greatly influenced by the music of Bob Dylan, Kabir Suman who had heralded a new era in Bengali music through his songs. These songs and lyrics, commonly referred to as Jeebonmukhi (জীবনমুখী )(literally meaning "towards life"), were concerned with the tough reality of Bengali middle-class social life, in and around Kolkata.

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